Flourishes February 2006
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Hello everyone. Kay |
February Early Bird Mini Workshop |
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B U L L E T I N B O A R D Our new year started off just right, with good friends and delicious food. Thank you to our January Hospitality folks, Becky Hughes, Lynn Rothe, Angie Chaos-Peters, BJ Grant, and Pam Thomas. We also would like to thank our Greeters for helping everyone to feel welcome when we first walk in the door. Carol Keith, we will miss you for a while, as you assist your sister who is very ill. You both are in our thoughts. |
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MAJOR WORKSHOP A FABRIC-GANZA INTENSIVE WITH LISA ENGELBRECHT JUNE
5-9, 2006 MONDAY-FRIDAY,
9:00 - 4:30 AT
DISCOVERY SCHOOL It’s not often that we get a chance to spend
5 full days enjoying an artist and exploring a single subject.
We have waited a long time for this enticing class with Lisa
Engelbrecht. And the time is
finally here! Lisa is a lettering artist and a calligraphy
instructor who comes to us from California, where she has taught at
Cerritos College, in the program created by Marsha and Larry Brady.
She has also taught at numerous International Calligraphy
Conferences, the Art & Soul and Artfest collage conferences, and was
a featured lecturer at Discoveries in 1998 and at Focus, the Oregon Book Arts conference, in 2005.
Lisa was named one of the “Women of Somerset” by Somerset Studio in the Spring of 2002, and her work has been
featured in Letter Arts Review, the Calligrapher’s Engagement Calendar, Legacy magazine,
Artist’s Journals and
Sketchbooks, by Lynn Perella, The Art and Craft of Hand Lettering, by Annie Cicale, and Quilted
Memories,
by Leslie Riley.
Lisa
is also a freelance artist for American Greetings. You may have
seen her popular calendar, Prayers, for 2004 and 2005.
You will find a feast for your eyes if you visit Lisa’s web
site. Lisa says that in this class we will combine
lettering and surface design techniques, and will arrange words and
images to tell a story on fabric, using unique clarity and drama.
We will begin with wash and mark making using acrylic media.
Lettering on various types of fabric and alternative surfaces
will be introduced, and we will use both traditional and found tools.
Stencil, stamping, shibori, and tie-dye techniques will be
demonstrated and layering techniques will be discussed.
There will be constant emphasis on creative thinking, personal
exploration, and free play. Embellishment,
beading, foiling, trapunto, fabric collage, embroidery, and quilting
will be included, and there will be many samples presented to spark the
imagination. Class fee: $200.
This includes your $10. supply fee. Sign-up begins February 2, 2006, at the General
Meeting. Supply List for Fabric-Ganza Intensive: |
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Saturday Special |
A REMINDER |
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Class Notes |
February Birthdays1 Bill Bristow 3 Wendy Hale Davis 11 Alison Hanks 12 Mary Burnstead 21 JanRobin Green |
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The Texas Letter Arts Council has offered a
number of classes following the Legacies last July in Dallas. If
anyone is interested in these I do have one gift certificate that was
sent to the guild as appreciation of our sponsorship. The
certificate covers the cost of the workshop but not the cost of
supplies unless specifically stated in the workshop flyer. First
come first serve on the certificate; call Kaye Yarbrough. For complete information go to the website
at: WWW.
TXLAC.org /classes.
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March 4, 2005 |
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SACG Web Site Report |
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How to Get Things Ready For a
Show Without Going Broke By Pauline Sager It is our wish to have our newer members enter
our anniversary exhibit in April.
Hoping the following information would be an incentive, I was
moved to write this, after reading an article on the subject written
by Caryl McHarney, in Escribiente,
the Albuquerque Guild's newsletter.
Ms. McHarney granted me permission for the use of some her
article. Getting ready for an exhibit we all know can
take time, but should it be the cost of framing that hinders you from
entering, I offer you these tips. STICK TO STANDARD SIZES Ready made frame and mats come in standard
sizes (see chart). Keeping
your work to a standard size can restrict you freedom with design, but
it does eliminate the need and expense for custom framing. The are and hobby stores have ready made
frames in many standard sizes and styles that include the glass and
frequently with a good mat as a bonus.
Before you buy, consider choosing a frame that agrees with your
style and complements the colors and design you have in mind.
This also will guide you as to how much space you have
available for your artwork. (You
need to allow no less than 1 ¼"
margin all around your artwork; more is preferable.)
Check the construction of the frame carefully.
Be sure it will come apart and go back together easily.
If you get a frame with a little toothed piece of metal on the
back for hanging, you will need to add screw eyes and a wire for
hanging, as required for our guild shows. OTHER CHOICES Usually called “Neilsen” frames, these
metal frames are sold in pairs and can be found in hobby supply
stores. Buy two pairs, one
dimension for each side. You
can customize the size to fit your need, and need only a screwdriver
to assemble. These frames
are reusable, easy to take apart, and put in new work.
You can have glass cut to fit for a reasonable price at such
places as Samuels or Alamo Glass.
If you feel confident using a utility knife, you can custom cut
your own mats. A full
sheet of mat board costs less than one custom ordered 11"
x 14"
and will yield you four 16"
x 20",
or six 11"
x 14"
. YARD SALES Wooden frames that are a bit nicked and/or scuffed can be refreshed. There are crayons made especially to fill blemishes, and spray paint can do wonders. Framers use spray paint whenever they need custom color molding. Sometimes it’s possible to come upon really fine frames holding prints that you would have no qualms about tossing. I have come upon some very nice gold leaf frames. FIGURING PROPORTIONS
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© 2006 San Antonio Calligraphy Guild (SACG)