Pointed Brush first appeared in Asian calligraphy. Sign painters and show card writers also used this technique with an amazing number of alphabet forms to quickly produce signs. Today, calligraphers control the pointed brush with a "pressure and release" letter stroke.

Scribe: Barbara Gere
Click here and see Italic by B.J.Grant Click here and see Roman by Carol Patterson Click here and see Batarde by Cheri Wolf Click here and read about Cadel by Bill Waddington Click here and read about Diaper by Vicki Belcher
Click here and read about Engrossing by Hazel Tillson Click here and read about Foundational by Virginia Harrison Click here and read by Gothicized Italic by Joanne Pacelli Click here and read about Half Uncial by Karen Veni Click here and read about Illumination by Maggie Gillikin Click here and read about Japanese Lettering by Mary Bowman Click here and read about Knotwork by Leslie Winakur Click here and read about Letter Contemporary by Gayle Venticinque
Click here and read about Monoline by Sylvia Stanley Click here and read about Neuland by Shirley Ginn Click here and read about Osteon by Pauline Sager Click here and read about Pointed Brush by Barbara Gere Click here and read about Quilling by Beverly Carter Click here and read about Rotunda by Jill Adams Click here and read about Spencerian by Jackie Lee Click here and see Textura by Sally Gooze
Click here and read about Uncial by Darla Peek Click here and read about Versals by Helen Rasplicka Click here and read about White Vine Click here and read about Xylograph by Rose Marie Siebenhausen Click here and read about tYpe by Pat Price Click here and read about Ampersand by Eleanor Russell Click here and read about Zoomorphic by Bonnie Houser Click here and read about Carolingian by Shawan Behrens