Flourishes - June 2005
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Kaye’s Korner Dear
Friends, How
nice it was to see Mary Bowman's life work at our May meeting.
Her program was timely and certainly enjoyable with her wonderful
sense of humor. Thanks, Mary, and how nice that special
friends and your daughter from New York could be at the meeting! We
also enjoyed a peek preview of the trading card collection of Cher
Solis. She will lead us in making our own artistic trading cards
at our June Mini workshop. We
look forward to our Pot Luck Dinner at our June gathering.
If you did not get to sign up at the April or May meeting for a
particular dish, just bring something to share with the group.
If you have questions please call Lynn Rothe or Angie Choas-Peters,
chairs for the evening. If you took Judy Melvin's workshop,
please bring your sheets of paper that you made, secured with a clip
at the top, for others to enjoy. Also, Bonnie Houser, mentor
coordinator, requests that the mentorees bring a decorated envelope to
show off their new lettering skills. There
is still time to sign up for the Legacies 25 International Lettering
Conference in Dallas, July 24-30. You are allowed to take
half a week if the entire week does not work for you. Our
liaison is Shirley Ginn. Call her with questions. The
website is Legacies2005.com. The
Paul Freeman nominees for this year were presented original, and very
clever hand-sewn pillows with a Paul Freeman Calligram self-portrait.
(See page 8 April Flourishes) Maggie Gillikin and Leslie Winakur
are unbelievable in their imagination and skills. They
transferred the image onto cloth and then cut and stuffed the Freeman
figure and attached it to the pillow!! We can never thank
them enough for all they do to make this such a special guild.
Please tell them sometime how much they are appreciated. We
are starting to make plans to celebrate the 30th Anniversary of the
SACG next spring. We will
have a spring show and reception. More information about this
will be coming in the fall. We are also making plans to show and
sell our work at the McNay Market Days in November. l
look forward to seeing you all at the potluck...........anyone
bringing home made ice cream?? Cheers,
Kaye |
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Bulletin board Once
again, we thank the Hospitality Committee and their volunteers for a
delicious refreshment table at the May meeting.
Nena Richardson, Sandy Nasello, Shawn Behrens, and Linda
Behrens, provided us with a beautiful table.
Please
remember to sign up with Loni Carlson (if
you have not yet done so) to bring refreshments to the June Pot Luck.
Also, Loni is already planning next year, so if you have not
signed up for a space next year, please contact Loni. The
Secret Pal assignments were delivered at the May meeting.
Karen
Veni reminded
us that the Secret Pal program is a great opportunity for participants
to grow in their art. This
is a chance to try new things, to push yourself, and to show off your
best work in September. It
is also a time to be generous and to give away the best that you can
produce. Keep in mind that
just because your Secret Pal has told you what he or she likes does
not limit you to those things. You
can do other things and expand yourself and your secret pal.
You will have one
minute at the September program during which to educate others and
discuss your work, your thoughts during this process, etc.
Please remember to make at least three hand made items for your
secret pal over the summer. And
be sure to bring the items you receive to the September meeting so
that all may enjoy them. You
might want to make an extra item or two to donate to the door prize
effort next year. The
Nominating Committee,
composed of Betty Lou Jordan,
Angie Chaos-Peters and Helen Rasplicka,
presented the Slate of
SACG Officers for the 2005-06 year, and the slate was accepted by
acclamation. Installation
of Officers will take place at the June Pot Luck Dinner. Our new officers are as follows: President: Kaye
Yarbrough Members-at-Large: Angie Chaos-Peters reminds
us all to please complete a membership form for the coming year, even
if there are no changes in your information.
This is our only record of the information that goes in the
directory. Membership Dues are
delinquent after the June Pot Luck Dinner. The
Denise Adler Scholarship Committee reports
that 7 membership scholarships have been awarded for the coming year.
We know how pleased Denise would be to hear this.
No scholarship has been requested as yet for the Denis Brown
workshops. Half of the
tuition, up to $50, is available.
Please contact chairperson Maggie Gillikin if you
are interested. Scholarship
requests are based only on asking,
not on need, and all requests are kept confidential.
Karen Veni reported
that she had a number of requests for the instruction booklet she
created for the Haiku book she taught at the April mini workshop.
She will make more for anyone who requests one.
The fee is a $5 donation to the Denise Adler Scholarship Fund.
Please contact Karen if you are interested in purchasing one. Our new Library system
is working very well and we are so pleased!
The newest addition to our Library is Annie Cicale’s The Art and Craft of Hand Lettering.
This is
a wonderful book. If you
have not yet seen it, you will want to spend some time with it. Congratulations to our Door Prize Winners in May: Lynn Rothe, Alison Hanks,
Maggie Gillikin, Sylvia Stanley, and Bonnie Houser. Please
remember that Sally Theus is
always in need of donations for door prizes.
Thank
you to Thea Moore, Pauline Sager, and Kaye Yarbrough for
doing the rush job of addressing envelopes for the SA Symphony. Remember the 26 Letter Poster? Well, it’s baaaaack! Since we will be offering the remaining posters for sale at Legacies in Dallas in July, we want to be sure that all of our current members have a chance to purchase one before then. The cost is $10, payable to SACG. This may be our last chance to purchase a poster, so be sure to contact Jill Adams if you would like just one more. She will bring them to the Pot Luck Dinner on June 2. She also has mailing tubes for $1 a piece. |
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June
Pot Luck Dinner Installation
of Officers Thursday, June 2,
2005 6:30 -
9 pm, In our usual
meeting room at Christ Episcopal Church Please join your fellow
calligraphers for the SACG Annual Pot Luck Dinner and Installation of
Officers, as we close out the current year and look forward to the
next. As always, the food
and friendship will be plentiful .
And we will welcome our new officers and members at large.
Please remember to
bring your pot luck dish to share with the group. And, remember - this
evening is an opportunity to start off the summer by delivering that
very first gift to your Secret Pal.
Also,
please pay your dues at this time, if you have not yet done so.
After this date, there is no guarantee that your
information will be in the directory. Calligraphy Exchange Thursday,
August 25, 2005 6:30-9
PM in our usual meeting room At
the annual Calligraphy Exchange, we will have an opportunity to share
our wares, trade, sell, and donate whatever we’ve accumulated and no
longer need. Our vendors
will be present and will be offering a discount to those who are in
attendance that evening. Don’t
miss this end-of-summer visiting and shopping with friends.
Please contact Jill Adams if you will need table space.
There is no rental fee for tables, but table space is limited.
Also, please keep in mind that this is our “calligraphy
exchange” and items for sale should be in some way calligraphy or
art related. Mini Workshop Art In Your Pocket, with
Cher Solis Thursday, June 16, 2005 Artist Trading Cards If
you ever collected baseball cards then you have a very good idea what
an ATC looks like. Basically, ATC’s are
miniature works of art which can be produced as an original or
as very limited editions. You can create, trade and collect these
"little works of art" with artists from around the world.
Check out the internet. Only One Rule The
cards should be the same size as traditional collector cards: 2.5
inches wide by 3.5 inches tall (64mm x 89mm).
The only "rule" is that they are supposed to be the
same size so that they can fit into the plastic protective sheets used
to store trading cards. Theme We will create at least 2 cards, one to keep,
and one to trade. Any
theme is acceptable.
Feel free to draw in pencil, pen, marker, chalk or crayon,
paint, use photographs, collage, (my
favorite) found materials, mixed media -- anything!
Make sure you sign and date your cards. History of ATC’s Artists’ Trading Cards or ATC’s, as they are frequently referred to, were initiated in 1997 by
Zurich artist M. Vänçi Stirnemann, as a means for artists to share,
and socialize with other artists. But with today’s technology,
internet trading groups have added a whole new dimension. How you design and decorate your card is
totally up to you. It can be as unique as you are, just as in any
other art form. Essentially ATC’s are miniature works of mixed media
art using various techniques such as painting, collage, photography,
rubber stamps, assemblages, etc. Think along the terms of collage
items that may have previously been taken for granted, such as stamps,
envelopes, clipped images from magazines and newspapers, junk mail,
etc… The idea is to use what normally would have been thrown away,
and give it new life. You are free to paint, draw, print, do wax resist, add fibers; trinkets...
the possibilities are endless! Supply List: · Scissors, Glue Stick, Ruler · Bring
anything you would use to create Art such as: calligraphy supplies,
markers, colored pencils, rubber stamps, inks……….. and most of
all….. your imagination! ** There is a 5:00 supply fee for … Collage Materials – papers, cardstock will be
provided**** Saturday Special Continuation of Copperplate with Thea Moore Fine-tuning Minuscules and Variations of
Majuscules “Fine-tuning
Minuscules and Variations of Majuscules.” This class will (plus
supplies if needed) or send check to Saturday Special Guidelines Saturday Specials are one-day workshops designed to
provide classes at |
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Paul Freeman Nominations and
Awards At
our May meeting we celebrated the hard working members who had been
nominated for and who received the Paul Freeman Award. This
award is really one which honors all nominees. This year Leslie
Winakur and Maggie Gillikin created wonderful fabric sculptures in the
shape of Paul Freeman complete with a mini certificate hand-lettered
with gold accents honoring each nominee. A very, very special
thanks go to Maggie and Leslie for their work this year on these
awards. This
year's winners are Bill Bristow, Loni Carlson, and Lynn Rothe.
Their pieces will remain with them through the coming year.
Their sculptures contained a blue gem which signified their Paul
Freeman award. The nominees who received sculptures with red
stones were Edith Asher, Joan Cornell, Nancy Meier, Jeffery Pyle,
Pauline Sager, Joan Schmitz, and Pam Thomas. Would
you like to be a nominee next year? Now is the time to get
involved. Kaye has positions open on committees and can help you
find the best place for you. The SACG thrives because of its
volunteers. Your calligraphic skills or lack thereof will not
stop you. We need everyone to be involved as we get ready for
our 30th anniversary which will be coming up. Pam Thomas, Awards and Memorials Chairperson Mary Bowman’s Retrospective At our May meeting we were treated to a wonderfully entertaining presentation by Mary Bowman. She explained the origins of her work in art and her interest in Japanese painting, and she described her most recent trip to Japan, during which she visited old friends and learned some new painting techniques. We had plenty of time to view her extensive display of larger paintings and smaller cards, her chops, and her tools, and we even had a chance to visit with her daughter Phyllis, who was in town just for that evening. Remember that Mary does give private sumi-e painting classes, so you might want to contact her if you are interested. |
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Major
workshops update 5 - no,
make that 6
- days with Denis
Brown Sign-up
for Denis Brown’s classes in October
began at the May meeting. We
are pleased to report that the response was overwhelming.
We almost instantly filled the one day class - Sharpness in Lettering - with a long
waiting list. So - we
contacted Denis and he agreed to do an extra day for us and repeat
that class. Therefore, we
are very happy to offer Sharpness in Lettering, a repeat of the class
already filled, on Wednesday, October 5, 2005.
If you are on the waiting list, or if you did not get a chance
to sign up for this class and would like to, or if you would like to
change days from Friday, October 7 to Wednesday, October 5, please
contact Jill Adams and
we will do our best to accommodate everyone.
There are still some spaces in the Gothic Script
class. Experimental
Gilding is full, but we always take a waiting list. We
are also very pleased to report that Denis Brown will
be the featured lecturer at the San Antonio Archaeology
Society meeting on Tuesday, October 11, 2005,
at 7:30 PM, at Trinity University.
This is the evening of the Archaeology Society’s Annual
Banquet, and everyone is invited to attend.
The fee for the banquet is $25, which includes drinks from
5:45-6:30, dinner from 6:30-7:30, and then the lecture.
Denis will be speaking about the magnificent Book of Kells,
and how its history is reflected in his modern artwork.
We will have further details regarding this event in time for
our September meeting. ~ SAVE THE DATES ~ SAVE THE DATES ~ SAVE THE DATES ~ SAVE
THE DATES ~ Lisa Engelbrecht will be here for 5 days next summer, June 5-9, 2006. So
keep this in mind when you make your plans.
Lisa teaches painting and lettering on fabric, and her classes
produce some of the most beautiful work, including books made out of
canvas. Both Bonnie Houser
and Maggie Gillikin have taken her class at conference, and both give
her their highest recommendations.
This is a class for all levels and we are very much looking
forward to it. Ken Harris will be here in October of 2006. He
teaches a fabulous class on medieval gilding and painting which comes
highly recommended by both Bill Waddington and Bonnie Houser who have
taken his classes at conference. This
is a 4 day class - 2 days of gilding, followed by 2 days of painting.
It is a class for all levels.
At
this point in time, we believe that Ken will present the program on
Thursday, October 5, 2006. He
will teach for 2 weekends - October 7-8 and 14-15, to accommodate
those who need the weekend class.
He will repeat those classes during the week for those who
prefer a weekday class - October 9-12.
The gilding class must be done before the painting class.
We will give priority to those who prefer all 4 days.
However, after those people have been served, we will then
offer the single gilding or painting class to those who prefer only
one. Ken Harris also will be in San Antonio in December of 2005 (to take a class in faux painting). We have offered to host a reception for him and he will give a lecture that evening. The subject is to be announced. He will be here from the 4th—8th, and the reception will be one of those evenings. So please save those dates for now, until we settle on the exact date. It will be a great chance to meet him. When you see how very knowledgeable and sweet he is, you won’t want to miss any of his classes! Class
Policies The
Workshop Committee, the Mini Workshop Committee, and the Saturday
Special Committee have all dealt with some difficult issues and events
over the past several months. Therefore,
we present these additions to our current policies in an effort to
make all of our guild classes as pleasant as possible for all
involved. They have been
approved by the Board. We
thank you for reading these policies and for giving them your most
careful consideration. As
in the past, in order to prevent confusion and error, only one member
of the workshop committee will put names on the class list, maintain
the list, accept the class fees, and assign participants to classes
when there is a repeat of a class.
She will use a receipt book from now on.
Each participant will receive a receipt stating the class
he/she is in and what has been paid.
If
a participant appears in a class and his/her name is not on the
committee’s class list, the participant will be asked for the
receipt. If the receipt
indicates that the error is on the part of the participant, that
person will be asked to leave the class unless it is not full and the
teacher is prepared for that extra student.
We
ask the guild members to please take the classroom setting seriously.
When we enter the classroom, we immediately enter into a
special relationship with the teacher and with our classmates.
We are artists, and we are thus in a situation in which we bare
a part of ourselves when we create in a group setting.
Our art and the words we choose to calligraph all say something
about us that we don’t necessarily say to everyone.
We trust our teacher to provide constructive critique and to
help us to create. We
trust our classmates to do the same.
Just as a school child is intimidated and inhibited when a
visitor comes to observe the classroom, so we are intimidated and
inhibited when a visitor appears in a class.
Visitors are an invasion of a privacy we expect in the
classroom, and therefore are unwelcome.
We
therefore are asking our members not to visit a classroom unless they
are participants in that class. It
is not appropriate to come to the classroom while class is in session
in order to visit the teacher or a student.
It is not appropriate to come to the classroom to do any kind
of business with the teacher during class time.
It is not appropriate to come to the classroom to check on the
supply list for the next class. Please
ask yourself what might happen if 10 other members of the guild just
happened to decide to do something similar during the same class.
If the results might seem disruptive to you, then please
don’t do it. If
you feel you have legitimate business to conduct with the teacher,
please contact the teacher prior to his/her arrival and make
arrangements to conduct your business outside of the classroom.
Remember that the class participants have paid for the
privilege of spending the entire day with the teacher, including the
lunch hour. Remember also
that the teacher is often available before and after the meeting on
the Thursday evening just prior to the class, and on the Friday before
the class. The teacher is
also available in the evening after classes.
In making any such requests to do business with a teacher,
please have consideration for him/her and understand that a teacher
needs some down time during the course of the stay here.
The
workshop committee members recognize that in the past we have felt
that there is no need for anyone other than the teacher to be in
charge in the classroom. We
realize now that this is incorrect.
The teacher is here to teach, and not to manage anything else
that goes on in the classroom. The
teacher visits many different guilds, all with different workshop
policies. Therefore, the
workshop committee members view it as our responsibility to be in
charge of what occurs in the classroom.
We are certain that we have no ability to foresee what problems
might arise in a workshop, and therefore we will make no attempt to
create a list of “don’t’s.”
Rather, we will make every attempt to assure that each
participant in a class is afforded the privacy expected in a
classroom, the time with the teacher that he/she has paid for, and the
best workshop experience we can possibly provide. If
we see anyone behaving in a manner that we deem inappropriate for the
classroom, we will go to that person and ask that he/she stop whatever
it is he/she is doing. Whenever
possible, more than one workshop person will speak with that
individual together, so as to avoid any confusion regarding what is
said or how it is said. If
there is only one workshop person present, that person will ask
whichever board members are present in the class to accompany her in
speaking with the offending individual.
If no workshop committee member is in the classroom, we request
that the board members present either contact us immediately or accept
the responsibility to handle the situation themselves.
We see this as the only way to ensure that everyone in a class
has an optimal experience. Finally, we believe that every member of every
committee works hard to do his/her job carefully and takes a committee
position seriously. We
assume that appointment to a committee indicates the guild’s
confidence in a person to do a job as it should be done.
We also hope that it indicates a trust that the job will be
done with the best interests of the guild in mind at all times.
So, if any member of the guild questions the actions of a
committee member, we ask that you go directly to that individual and
ask what and/or why that committee member is behaving as he/she is.
If you are not satisfied with the answer you receive, then by
all means it is appropriate to bring your questions or concerns to the
president. Respectfully submitted, Workshop Committee Mini Workshop Committee Saturday Special Committee |
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SUMMER CALLIGRAPHY CLASSES Calligraphy classes at Viva Book Store (Mini
Mansions) are being planned for the 4 Monday mornings in June from 10 to
noon. Cost is $35 for the 4
classes. For details, e-mail
Joan Schmitz at: j.schmitz3246@sbcglobal.net
or call her at 344-7675 Please note Joan’s
correct e-mail address (it was incorrect in the last newsletter) - the period after the j does count! please save this
newsletter There is a lot of important information in this issue of Flourishes. Please keep it
for future reference, and save yourself a lot of searching. Go right now
and put this issue where you will be able to find it in the fall! And remember that this information is always on the website. And lots of it will also be in the new directory. |
June/Summer Birthdays
Lynn Rothe - July 2 Angie Murray - August 2 Sharon Halstead 19 Barbara Gere - August 22 Shirley Ginn - August 23 Joan Cornell - August 24 Virginia Harrison - August 26 |
Photos on the Web If you have access to the Internet, go to the Flourishes website and admire the photos of SACG members. http://www.axs4u.net/home/inksmith/pp.htm *** |
June 2005 Flourishes'
Web Page is proudly sponsored by
Sandee's Sewing Shop in Seguin, TX USA
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© 2005 San Antonio Calligraphy Guild (SACG)